“AWESOME!!! V-R0DI traded in my ‘05 vrscb for a new Muscle WOW what a change!! I love the new rod! every thing is sweet the only thing needs work is the license plate mount! Other then that Great investment!!! “- Samuel (Owner), Oct. 12, 2008
“Totally Satisfied!I’ve owned my new Muscle now for over 6 weeks, and I must say…WOW. Everything about this bike is amazing, performance is out of this world, coupled with the ins and outs you’d hope to find on a HD. I can’t even ride any other bikes anymore, I totally recommend this ride…you won’t regret it.”- Bryan (Owner), Jan. 3, 2009
“AWESOMEMy first Harley and LOVE LOVE LOVE it! Was concerned that my 5′6, 125 (female) body could handle it but after 300 miles I am in love. Handles great, looks great, highly recommended for anyone who wants something right in between a crotch rocket and a contemporary HD. AWESOME! (License plate suggesti…on: tilt it vertically, looks way better)”- Sabrina (Owner), Jun. 3, 2009
“My First Motorcycle I would recommend th…is bike for any beginning sport bike rider. It’s not a bike you’ll want to trade in after a year. I’m ready to keep mine for quite some time.- Kristi Bluhm(Owner), Jan. 12, 2009
“Don’t be fooled… this bike will kick @$$ I was the proud owner of a yamaha R6 for many years. The R6 was fast, responsive, nimble, and very uncomfortable on long rides. I sold it last year when it started to give me transmission issues (I bought it used with high mileage). As I was looking for a new bike to buy the ergonomically designe…d ninja 250r caught my eye. Sure it was only a 250 but the seating position along with the handle bars were very comfy..”- David Medeiros(Owner), Mar. 26, 2009
“2009 250 Ninja - Best Bang 4 The Buck!!! Okay, I went into the dealer the day before thanksgiving to look for an entry level bike for my petite wife, who has decided she’d rather learn to ride her own scooter, than ride on the back of mine. I got the 2009 250 Ninja for less than MSRP, due to the time of year and the economy, and was total…ly surprised when I took it home! It feels like a bicycle with an engine! This bike corners, brakes, and handles like it was formed to me, and I still haven’t broke it in yet!..”- Joe Hawes(Owner), Dec. 19, 2008
“Sweet machine Just had her first service and haven’t been able to wipe the smile off my face yet. Suzuki has great quality, and the flag ship bike definately shows that. The only down side to this bike is that evryone wants to look at it and talk about it, which doesn’t seem that bad, but it cuts into riding time…”- Jun. 11, 2009
“So easy to ride!! Bought my new Busa over a month ago. After having my 04 GSXR 1000 for more than two years I thought it was time to offer my wife a bike that was easier for her sit on and easier on my body to ride, but didn’t wanna give up the horsepower. Well I definately chose the right bike. Abundant power, rides… like your sitting on a lazy boy..” - Brandon (Enthusiast), May. 9, 2009
“Highly Satisfied Have about 500 miles on it now and loved every single mile. This bike is quick. It is comfortable, sounds great, looks great and is easy to ride. It has been years since I rode a sport bike and within hours I was right back into it. Still breaking it in but so far it has handled everything I have thrown at it…”- Steve(Owner), May. 26, 2009
“Ive had my 09 for about 600 miles and also enjoyed every mile. Took her in for the first service and wasnt to thrilled to be without her for a couple days. Easy to ride,plenty of power, turns heads “- Andrew Lewis(Owner), Jun. 1, 2009
A celebrity launching a fashion line? It seems this is one trend that will never end.
There it was earlier this week, the big bulletin that Katie Holmes is hooking up with her stylist Jeanne Yang to produce Holmes & Yang, a women's line slated to debut at the Maxfield boutique in Los Angeles this fall.
Celebrities with fashion labels is so commonplace (even Ryan Seacrest went there), Perez Hilton recently started www.cocoperez.com to document all the goings-on of the modern day deities turned taste makers.
The whole celebrity/fashion setup can't help but reek of making-a-buck. Very few of the glitterati, if even one, will ever pick up a needle and thread. We all know how challenging it is to make a garment (thank you, Project Runway). And then there's that unexplainable sixth sense fashion designers seem to have. Stylists exist because celebrities are more often than not a fashion hazard waiting to happen. Demi Moore's biker shorts at the Oscars, anyone? A good stylist will steer a celeb away from a career-debilitating swan dress. So why should anyone trust good taste to the latter?
"I can honestly say I'm not a big fan of celebrities as clothing designers," says celebrity stylist Monica Schweiger. "I mean in most cases, the celebrity designer more than likely has no actual design training and may not even have a unique style opinion-other than their stylist. It's kind of like taking the celebrity poster girl ad concept one step further-instead of putting the face on the ads lets just put their name on the brand.
Sadly, the only media going to print in big numbers this fall is fashion.
Patchwork, zebra, leopard, floral, tweeds, plaids, psychedelic and Deco graphics, watercolors and paint-splattered fabrics all made a huge statement on the runways. Fait attention! This is the season to forget every rule you've learned about wearing prints. It's time to go Wild and Crazy Guys, not head-to-toe Pucci.
In other words, designers made an eye-popping show of mixing and matching multiple prints on one look. Much like Dan Aykroyd and Steve Martin's comedic get-ups on Saturday Night Live back in the late '70s, floral prints were shown with plaids. But then we saw tweeds hooking up with cougars (there must be a joke in there somewhere), leopards pairing up with stripes and stripes in primary colors working well with rich paisleys.
The Mulleavy sisters, designers of Rodarte, are perfect examples of the newest generation of print maestros. Their California-based label had catwalk models in big-cat prints, metallic and watercolor-like fabrics all pieced together on ethereal cocktail dresses (pictured above).
In a few weeks, the official word will be out. That's when September fashion issues hit the newsstands and editors have their final say on trends after months of cataloging and analyzing thousands of collections.
Much will be said about the '40s, one of the strongest themes of the season. There will be talk of Hollywood-like glamorous gowns, somber tweeds, fur stoles, strong shoulders and the exaggerated hip-to-waist ratio. You might see aviation goggles and pilot gear à la the era of Amelia Earhart and Beryl Markham. Models could be channeling Katherine Hepburn or Joan Crawford.
It seems to be a universal truth: It takes about 20 years for a trend to circle back around again. Looks we embraced 10 years ago are hideous now. Anybody up for a squared-toed, two-inch heel from Gucci, circa 1999? See what I mean? But 20 years ago is a different story. Look around, '80s references are mainstream: skinny jeans, flats and leggings everywhere.
But what's going on when a decade from the last century pops up? Big shoulder pads on a jacket with a nipped-in waist suddenly looks and feels right. And everybody thinks so. The list of '40s proponents is a mile long with heavy hitters like Lanvin, Prada, Bottega Veneta, Dolce & Gabbana, Elie Saab, Aquilano.Rimondi and Hermès leading the way.
Velvet usually comes out of mothballs about once a year: the holidays. Other than that, the fabric that has always stood for wealth and luxury tends to spend more time on settees and chaises than on warm bodies. That is, until now.
Velvet's not so underground anymore thanks to European and American designers who used bolt after bolt of it in the fall 2009 collections. And each one has manipulated the short dense pile into much more than just eveningwear.
Aquilano.Rimondi-a new talented design duo from Italy-draped, cut and sewed bright red velvet into a belted cocoon coat-dress that hits just above the knee. Superb.
But if two designers can turn velvet into a full-blown trend of the season, it's Miuccia Prada and Marc Jacobs. Interestingly enough, both fashion forces took some yellow with their velvet.
Jacobs ran with the '80s-the decade he first hit the fashion scene- with neon yellow cocktail dresses like the one pictured above. Another yellow cocktail dress wraps its wearer like a mummy in wide-bands of velvet. (Fergie took this look out for a spin on the red carpet recently, only in electric blue.)
Prada reached back to a darker mood in the '40s and came up with a more toxic shade of yellow. This disconcerting yellow hovering somewhere between poison and putrid was made into a deep V-neck and stitched to a tweed skirt. Burned-out velvet made appearances on double-breasted coats and V-neck dresses (sometimes awkwardly topped with fur).
Several years ago, designer Andrae Gonzalo (of Project Runway fame) sent me a terrific little book on the history of stripes called The Devil's Cloth. I fished out the book recently and inside the jacket found Gonzalo's personal note: "From one zebra to another. Now you're really ready for spring 2002!" Back then, I was reporting for Women's Wear Daily and I had been talking to Gonzalo-at that time a buyer for the American Rag boutique in Los Angeles-about the chicest look of the season: stripes.
Cut to fall 2009. Little has changed. From Christian Dior Haute Couture in Paris to New York It boy Prabal Gurung, designers continue to send stripes down the runway. Whether zebra or nautical, it seems there's always demand for the clean and crisp, yin-yang pattern. A classic.
So it might shock you, as it did me, to learn that striped cloth was once a controversial religious garment not unlike the burqa today. According to the book, a few striped-clad monks called the Carmelites moved from Palestine to Paris where they were ridiculed and jeered. They were accused of greed, hypocrisy and treachery and even seen as the henchmen for the devil and the Antichrist. All because of their stripes.
The scandal got so out of hand, a Pope stepped in to ban all monks from wearing striped habits. Here's the kicker: Some 19th Century scholars believe Western Europeans had such a fit because the cloaks–probably resembling something like striped djellabas–had Asian or Middle Eastern origins.
Even as the great veil debate raged on this month in France - President Nicolas Sarkozy supports a ban on Muslim women wearing them in public- Paris couturiers paraded all manner of burqas, abayas and niqabs. Now that the shows have ended, we're left with more questions than answers.
Were designers stating they were for or against the ban? Do they endorse freedom of religious expression or were they speaking out against the oppression of women? Besotted with so many images of the controversial garment in the news recently, perhaps they were simply inspired to put a piece or two on the catwalks. Or, were they out to get press?
"When I ask designers questions like these, they always look confused," says David Wolfe, creative director of The Doneger Group, whose job is to predict trends for fashion professionals. "They operate so much from their gut. Whatever the media focuses on, the sensitive designers pick up the vibe, whether consciously or subconsciously. Fashion is an endless drug and designers look for the new high-anything that hasn't been seen or worked to death."
Givenchy, in particular, took the Middle Eastern route sending out models elbow-deep in gold cuffs and weighed down in heavy veils of ornate gold jewelry. The collection also featured billowing harem pants paired with sharp-shouldered blazers. Evening gowns were embroidered and topped with crowns of metal thorns, hard to miss the religious commentary there.
As designers march their winter haute couture collections down runways in Paris this week, one has the feeling we're witnessing the end of an era. Only a handful of women in the world can afford this level of craftsmanship and, in the throws of the most diabolical recession we've ever seen, even they are pulling in their gilded belts. More's the pity.
As a result, this may be the last of Christian Lacroix. A few days ago, the designer showed a jaw-dropping collection every bit worthy of his couturier status. But his house is in such a financial mess, it needs a buyer to survive.
Lacroix is not alone, of course. Earlier this year, I asked a CEO of a high-end Italian fabric company how he was planning to celebrate the company's anniversary. "We'll barely be able to afford a birthday cake!" he joked.
Meanwhile, New York's famed specialty store Henri Bendel has stopped selling designer clothes altogether. Beginning this fall, the store will focus exclusively on selling smaller ticket items like jewelry, handbags, fragrance and gifts. It's a well-known fact that accessories sales are the bread-and-butter of retailers and fashion houses. Runway looks, especially haute couture, are more about creating publicity and brand image. But learning that H. Bendel will no longer be selling designer clothing is a little like discovering the coolest kid at school is into Dungeons & Dragons. It's just sad.
The luxury segment-particularly fashion and jewelry-has skirted trouble for years. In Deluxe: How Luxury Lost Its Luster out a few years ago, reporter Dana Thomas chronicled how the then $157 billion luxury goods industry eschewed exclusivity-a key characteristic of luxury-in order to rack up mass sales.
Still, few predicted the floor would drop out quite like this. "You can't justify premiums these days with the same old stuff," says Milton Pedreza, CEO of the Luxury Institute, noting luxury companies will be forced to reinvent themselves to stay relevant. "Many people feel like luxury has duped them into buying ubiquitous products. The main principles-great design, superior quality, heritage and service-need to be upped quite a bit
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Velvet usually comes out of mothballs about once a year: the holidays. Other than that, the fabric that has always stood for wealth and luxury tends to spend more time on settees and chaises than on warm bodies. That is, until now.
